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From: farnum@pilot.msu.edu (Don Farnum)
Newsgroups: comp.periphs.printers,rec.photo.digital
Subject: Re: Request Help in Dye Sublimation Printer Selection
Date: Thu, 05 Dec 1996 09:04:15 -0500
Organization: Michigan State University
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Message-ID: <AECC408F966820A1D3@pm243-06.dialip.mich.net>
References: <849312732.26739@dejanews.com>
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In article <849312732.26739@dejanews.com>,
yasin@poboxes.com (Yasin Qamar) wrote:

>Can a kind soul tell me where to find FAQ or other helpful stuff to decide a
>purchase of dye sublimation printer to be used in a portrait studio for
>generating photo quality prints. If you are in the digital portrait business,
I             ^[
>will be very grateful if you can give me your opinion on this topic.

I'm not a professional, but I am inteested in photo quality digital prints.
I have a Fargo Primera Pro dye sub which does a pretty good job for the
price (<$2000 with software and supplies). However, it isn't really "photo
quality" if you're critical. So far only glossy paper is available, and the
resolution, latitude and color saturation (and permanence - though Fargo
claims to have a uv filtered paper that has better permanence) don't equal
that of an 8x10 color print I can make in my darkroom. It is also slow and
prints only up to 8x10.  Nonetheless, most observers are impressed and
would have to see the prints side-by-side to tell the difference. I have
seen output from the Fujix Pictography printer from a local custom lab and
am quite impressed with it. The printer is fast and the dyes are
photographic dyes and share the color saturation and permanence (or lack of
it!) of the usual color dyes. I'm not sure if a matte surface is available,
but the photographic matte sprays work without causing the dyes to bleed -
they do not work on the dye-sub prints. But, then, the printer costs about
$30000. If you're thinking of a high end dye-sub printer for the improved
speed and print quality, then I'd check with a local service bureau and
take a good look at the Fujix also. My personal opinion is that digital
printers have not yet acheived the quality of a well made photographic
print from a fine grain (ISO 25) medium or large format negative, but most
observers would be staisfied with either one.

Don

